SCOTT HOCKING

  cv - bio - bibliography
  contact info - links
   
  -- Recent Installations and Photography Projects --
  Bone Black 2019
  Seventeen Shitty Mountains 2019
  Seventeen Shitty Mountains 2018
  The Sleeper / Cowcatcher 2018
  OLD 2018
  Hanging Cairn 2017
  Massa Confusa 2017
  RCA 2016
  Babel 2015-2016
  Celestial Ship of the North (Emergency Ark) 2015
  Signs 2015-present
  Narcissus Incorporated 2015
  Lot Circles 2014-present
  Rustic Sputnik 2016 / Rusty Sputnik 2013
  Coronal Mass Ejection 2013
  The Egg and Michigan Central Train Station 2007-2013
  Mercury Retrograde 2012
  The End of the World 2012
  The Quarry / Steinbruch 2013
  The Secrets of Nature 2012-2014
  Garden of the Gods 2009-2011
  Tartarus 2011
  Triumph of Death 2010
  Sisyphus and the Voice of Space 2010
  New Mound City 2010
  Ziggurat and Fisher Body 21 2007-2009
   
  -- Ongoing Detroit-Based Photo Series' --
  In The Strait Of The Crimson Nain 2007-present
  Detroit Nights 2007-present
  Shipwrecks 1999-present
  Delrazed 2007-present
  Holes 2007-present
  Trees 2007-present
  Memorials 2007-present
  Detroit Wildlife 2007-present
  The Mound Project 2007-present
  Bad Graffiti 2007-present
  The Zone 1999-present
  Cast Concrete in the Auto Age 2008-present
  Mid Century Modern Playground Sculptures 2007-present
  -- Other Installations and Photography Projects --
  Roosevelt Warehouse and the Cauldron 2007-2010
  Fountain of Youth Vending Machine 2008-2010
  Lao Zhu and the Flour Factory 2009
  Detroit Midden Mound 2008
  RELICS 2001-2016
  Tire Pyramid 2006
  Animals 2006
  Icelandic Saga 2006
  Scrappers 2000-2004
  Found Slides 2000-2004
  Pictures of a City - Detroit 1997-2006
  Alchemical Works and Drawings 1997-present

  Originally conceived in 2001, the RELICS installation attempts to chronicle the 300-year history of Detroit through found objects alone. Thousands of decaying and eroding man-made objects are organized into grid like reliquary walls, creating a natural history museum of the future. A labor intensive collaboration with Clinton Snider, the installation was first exhibited at the Detroit Institute of Arts, and consisted of over 400 individual 'boxes.' Since then it has been reconfigured site specifically multiple times, and new boxes continue to be created.